I am fascinated by visual patterns. All art on this page was freehand drawn (mostly during classes - thank you, patient teachers) with ink on paper. From ~2008 till 11/2014 I only did black & white. Since 11/2014 I have been using some colors, though mainly just red.
Drawn images offer a unique glimpse into the structure of perception. Though each pixel is intellectually understood to be binary, static, and flat, these images are living kaleidoscopes: dynamic, rhythmic, symbolic.
Local interactions (between adjacent pixels in a drawing) are much like local interactions between ants - no pairwise interaction can be understood, except in the context of the entire drawing (or colony, as it were). Where is your Reductionism now?
Each drawing takes between 0.1 and 30 hours to complete. Repetition is beautiful. Repetition is beautiful. The images on this page are not in chronological order, though feel free to go to my Flickr page to see my evolutionary process.
Drawn images offer a unique glimpse into the structure of perception. Though each pixel is intellectually understood to be binary, static, and flat, these images are living kaleidoscopes: dynamic, rhythmic, symbolic.
Local interactions (between adjacent pixels in a drawing) are much like local interactions between ants - no pairwise interaction can be understood, except in the context of the entire drawing (or colony, as it were). Where is your Reductionism now?
Each drawing takes between 0.1 and 30 hours to complete. Repetition is beautiful. Repetition is beautiful. The images on this page are not in chronological order, though feel free to go to my Flickr page to see my evolutionary process.
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In August 2018, I co-authored a publication entitled: "Partner Pen Play in Parallel (PPPiP): A New PPPiParadigm for Relationship Improvement". The paper is about partner drawing, from the context of evolutionary neuroscience, improvisational aesthetics, and relationship therapy.
Starting in 2019, I have started doing some drawings on livestream:
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